By Susan Granger
Before he became enmeshed in disasters like “After Earth,” “Seven Pounds” and “Winter’s Tale,” Will Smith ruled the box-office with the “Men in Black” franchise and “Independence Day.” Now he’s back in the crime caper “Focus.”

When debonair con-man Nick Spurgeon (Smith) challenges beautiful Jess Barrett (Margot Robbie) after she scams him at an upscale Manhattan hotel, she begs to become his protégé. A few months later, she joins him in New Orleans, where Nick and his highly-trained cohorts cleverly rob unsuspecting tourists in the French Quarter. Predictably, a romantic relationship develops but once the job is done – it’s over.
Or is it? Years later, they meet again in Buenos Aires, where Nick has hatched a car racing scheme. That catapults them into a Superdome skybox as Nick matches wits with a rich Chinese gambler. Saying more would constitute a “spoiler.”
What’s most fascinating is how Nick explains the psychological art of deception - courtesy of technical advisor Apollo Robbins, a sleight-of-hand artist who now serves as a security consultant.




